Category Archives: Dance Movement Therapy

We walk together

02 Thursday Jun 2022

Posted by in creative arts therapy, Dance Movement Therapy

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In my work with clients/patients I sometimes use the written word to help process what they are feeling and what I am feeling about working with them.  I worked for years at a residential drug/alcohol rehab center and wrote a short poem about one experience.

1. We walk together
toe to heal
In the way we came here

Youngest to oldest – Male to female –
Opiate to alcohol – Forceps to stone

2. We all
Everyone of us
walk for a reason

3. Up the hill
breathlessly
we reach the top

4. around the pond and into the trees
A shelter – A holding
in the environment

5. Close your eyes
Notice your breath – As you inhale – as you exhale
Feel the wind – notice the smells – the scent of the earth

The sunlight and shadows sway back and forth to the rhythm of the branches moving in the wind

6. Don’t be afraid – shiver- cry out – weep – scream
We are all killers inside
We are all healers inside
Our blood runs through the veins of our ancestors
And is here to stay – an echo of times now gone

A dream of times yet to come

Interpretation

1. Today I took my clients outside to the park. We walked in a pecking order; the client with the most time were in front followed by the others in order of time, drug of choice, sex, finally by age. It was a metaphor for their life journey, of their choices and circumstances thrust on them from birth.

2. In the clients (and us all) our journey is a reflection of who and where we came from. Our personality and our history. Our wants and needs. Our understanding of these things. In this residential rehab clients have come because of an intersection of factors, both internal and external.

3. The walk with the clients took us up a sharp and steep hill, the last little leg of our walk before we reached the park and the pond. The walk of addiction is a mighty hard row to hoe in the discovery of the self

4. The clients were very happy to see the pond and dogs and people, and we headed for the trees to find some sanctuary. This little stand of trees I felt would be a good holding environment to do a movement meditation in a public space.

5. I led the group through a meditation in the environment, giving them a chance to be calm/passive and feel nature, with its enormous power. Like that higher power that 12 step teaches. Also nature has a rhythm that we, as earthlings cannot escape, it is deep inside us, with us since the womb.

6. In the mediation I encouraged the group to go to where it was safe and to go a little beyond safety, to a new place. Being different (clean/sober) in a setting (park) that is familiar is challenging. They will face that challenge when they leave the rehab. As addicts they must accept their dark side, and they must recognize their light side. This killer and healer is the story of being human, told by all cultures since we first lit a fire and huddled together. It is this story telling that teaches us to remember the mistakes so we know what to do if we make them and know how to avoid them.

catas

Transference

25 Wednesday May 2022

Posted by in Dance Movement Therapy

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In Dance Movement Therapy (D/MT) transference and counter transference play a crucial role in the therapy session. Understanding the differing theories of transference, where and how they take place, whether on an emotional, physical, cognitive, or neurological level is an important foundation for the effective treatment of a client. It is because transference is primarily an unconscious process that D/MT as an effective avenue into the subconscious can allow for transference actions to become consciously embodied. It is this embodiment of these subconscious processes that allows for the exploration and bringing to light transference and thus one part of ‘healing’ for the client.
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In D/MT client(s) move, through posture and/or gesture in ways that can be less likely to be self-censored. For instance, a therapist asks a question and the client hesitates and chooses their words and answers, censoring (either consciously or not) their response. It’s a cognitive process that we all do generally with little thinking or effort. The therapist asks the same questions and directs the client to respond with the hands in a gesture or a posture with a fuller body expression. I’ve noticed over the years that people tend to respond/react to this type of direction with the same hesitation and then begin to move in ways that express something rarely captured by words. I believe this is because people are used to censoring their words but less so with their movement/gestures/postures.

A great example of this is the Stress-less classes I have taught over the years. Participants almost always identify the body as the way they know they are really stressed out. They report grinding their teeth, clenching their fists, clenching their butt muscles, as the primary resources of how they are feeling/thinking. It’s the bodies uncensored expression of what is happening internally that they notice most. In Dance Movement therapy it is what the body says that we notice most.

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Wade on the water

04 Wednesday May 2022

Posted by in Community, Dance Movement Therapy, Ritual

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Illness that is of a chronic nature has a huge impact on individuals separately, as well as within the context of family systems. Health care systems, being “systems”, have an inability to care for patients on an individual basis. While systems managed health care, impersonal by nature is promoted as cost effective, it increases costs in the long run by not holistically treating the client. Impersonal health care adds to the disassociation waterrockspatients often experience; for the ill body/mind and subsequent new family/life dynamic, the medical profession, and the possibilities of wellness.

In 1990 I worked with Bear, a 38 year old womyn who had a late stage mastectomy. She was dealing with issues of an altered body, of thoughts of death, her children being motherless, things left undone. During a 10 day group movement based expressive arts residential retreat, she took the opportunity to explore some of these issues. One of her expressions was in the form of a healing ritual. Most of the group stood on one side of a pond, singing the gospel hymn, “Wade on the water”. On the other side, Bear was carried down to the waters edge, wrapped in a blanket, and left there, standing, still wrapped. She slowly undid the blanket and waded into the water, slowly swimming to the other side, where, like a chorus of angels we waited, still singing.

Bear engaged in a method of emotional healing that falls, far, from the “systems” method of health care. Her methodology embraced her needs, hopes and fears in a manner that can only be facilitated in an open, accepting, creative and supportive atmosphere. The waves that she stirred that day in the pond are still going, still rippling outwards, deeply and profoundly on all those who witnessed her wade in the water.